Quintessence of Mediocrity

Entries tagged as ‘Gordon Sinclair’

The Lives of Foreign Correspondents

September 4, 2008 · Leave a Comment

My failed SSHRC application for PhD funding from a few years ago. The topic still really interests me, and with all the time in the world I’d look into it further. Robert MacNeil’s got a number of excellent books on his experiences abroad. Matthew Halton’s personal papers are just sitting at the National Archives. There are abundant resources to provide the nuts-and-bolts of this fascinating subject.

I propose to study Canadian and American foreign correspondents living and working outside of North America during the Cold War (c. 1946-1980s). I will examine the texture, the mundane details of their daily lives to investigate the various tensions at play in the lived experience of foreign correspondents. How do Canadian and American correspondents view themselves, their role, and each other? What is the nature of the correspondent’s relationship to their home country, and to the host country in which they live and work?

The experiences of foreign correspondents do not fit easily with the majority of studies of journalism. Concentration upon the discourses and institutions, and industry apparatuses that uphold the journalist – what Todd Gitlin describes as the ‘frame’ – depersonalizes the experiences of journalists in this field of inquiry. Even sociological works purportedly about the ‘people’ behind the news, such as those by Weaver and Miljan and Cooper, tend to flatten the complexities of life into static demographic characterizations. Michael Schudson, on the other hand, compared autobiographies of individual journalists of different periods to show how journalism is a “historically specific, historically created activity.” Similarly, I will use the experiences of individuals – as expostulated by memoirs (published or unpublished) and the abundant archival papers of a variety of foreign correspondents – to interrogate the historical conditions and cultural tensions shaping their lives and work.

What little academic study that has been undertaken on foreign correspondents has focused upon an almost romanticized type of journalist, those whom former Canadian foreign correspondent Peter Worthington calls the ‘firemen.’ Flying in for short periods to cover crises or major events, the ‘fireman’ (also known as a ‘parachuter’) calls upon “instant makeshift expertise,” to give colour to, not understanding of, the event in question. War correspondents are the most commonly seen ‘firemen.’ Even Mark Pedelty’s book, perhaps the best academic study of foreign correspondents, relies exclusively upon the El Salvador war to make more assertions about a general foreign correspondent culture. While important and applicable in a limited way, such studies are marked by an emphasis on the exceptional – the wars and history-making events foreign correspondents report on – rather than the wider, more mundane lived experiences of foreign correspondents I seek to investigate.

I am most interested in another type of foreign correspondent Worthington describes, the residential correspondent, which has not yet been the subject of a sustained study. Whereas ‘firemen’ drove themselves at a frenetic pace, living the lifestyle of a hard-drinking masculinity, residential foreign correspondents lived an unexceptional life, with its everyday patterned routines. Residency, suggests long time Canadian correspondent in Moscow David Levy from his own experiences, is an integral aspect of being an effective foreign correspondent. Understanding the character of a people and a place was the first step for foreign correspondents to fairly and legitimately report upon a place and to gain the trust of the people.

Worthington argues that Canadian residential foreign correspondents such as Gordon Sinclair – when there was no pressing story – were granted a remarkable level of editorial autonomy to wander and file stories as they saw fit. Thus, in coming to understand a locale, the conversations foreign correspondents heard at the grocery store, or an official’s comment at a cocktail party could change the direction of a particular story, or provide impetus to a human interest story to expand upon, understand and show consequences of larger political issues, policies and events. Likewise, as Robert MacNeil noted in his autobiography, the constant flow of visitors and socializing at one’s own family home offered added opportunity to discuss and debate the issues of the day. It would also be interesting to compare and contrast such a study – with its emphases on family life – with existing studies about the heavily masculine newsroom culture described by many scholars.

These ways in which newswork stretched into all elements of the foreign correspondent’s life do not conform to the characteristics of newswork detailed in the innovative and important ethnographies of newsrooms by Gaye Tuchman and Mark Fishman. As Barbie Zelizer points out, such works have often taking a narrow view of journalism by only considering “newswork from the moment at which an event was approached by a journalist.” My study would instead examine the daily lives and experiences of correspondents to illustrate how social life, home life and family life also affected the gathering and reporting of news.

The most interesting aspect of the personal lives of foreign correspondents is the ways in which they became individuals beyond borders. On the one hand, the experience of living abroad could bring one’s home country more sharply into focus, as Robert MacNeil said of his time reporting from England, that “it was curiously easier to feel Canadian.” On the other hand, foreign correspondents both competed and collaborated; they worked together and socialized, and thus formed an international community. Worthington notes that correspondents devoted “a great deal of time and talent to interviewing one another” to gain understanding of the issues they covered. Foreign correspondents from different origins influenced how each other reported their stories.

Therefore, I would seek to demonstrate how the work of foreign correspondents is an internationalized profession. The journalistic profession as described by existing journalism scholarship would be reassessed in a number of ways. Foreign correspondents never regarded themselves as truly objective witnesses to history. Instead, foreign correspondents regarded their strength over the ‘unbiased’ wire service reporting to be their personality, which they freely injected into their reports. An integral aspect of their jobs was their ability to provide nationalized interpretation for the audiences at ‘home.’ I will investigate the implications of this interpretation, demonstrating the tensions between the national character of journalism and international character of the work of foreign correspondents.

Journalistic practices and values have been shown to be nationally conditioned according to the unique political, ideological and cultural circumstances and broadcasting policies of the nation-state. Foreign correspondents certainly had to conform their newswork to the nationalized norms of the broadcasting news outlet. If they worked for a number of outlets in different countries, as many foreign correspondents certainly did, they could produce a number of almost contradictory stories about the same event. At the same time as reports bent to the conventions of the country of broadcast – and not all foreign correspondents shared the nationality of their news outlet employer – foreign correspondents also had to adjust their nationalized assumptions about newswork to the local circumstances and news culture of the host culture of wherever they were stationed.

For foreign correspondents, newswork did not begin or end with the report as broadcast. Newswork extended into all aspects of work, social and family life abroad, and these personal experiences allow reassessment of journalism studies. An international figure within a largely nationalized profession, more than any other type of journalist, the foreign correspondent must be investigated as an international community of individuals. Therefore, in its broadest implications, my dissertation will seek to interrogate how Canada and the United States are understood from beyond their borders by their citizens and by each other.

Categories: academics
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Writing Obituaries

August 12, 2008 · Leave a Comment

On final tidbit worth sharing from my research on Gordon Sinclair describes Sinclair’s youthful days on the city desk, where he’d often be called upon to investigate obituaries to try and uncover deeper human interest stories.

It reminds me a lot of my time at the New Brunswick Legislative Library when I researched and wrote biographies for every politician elected to the provincial assembly from 1784 to the present day. I took very seriously that every individual made an impact on the world (or at least the people around them) in some way, and did my best to uncover a story, anecdote, achievement–something from newspaper clippings, hansard records, local histories, or any other resource available at the libraryabout everyone that made them stand apart from the others.

Perhaps the practice ran the risk of over-emphasizing something that the individual themselves might not have dwelled on, but but it was a sincere effort to humanize all of them when often the majority of available information was limited to the dates of elections, appointments, or resignations. It also mirrored the practice of Sinclair and other Star reporters seeking to find an interesting nugget of biography to expand on the bare-bones of obituary. The following comes from Scott Young’s Gordon Sinclair: A Life…And Then Some (Toronto: Macmillan of Canada, 1987):

Much that engaged Sinclair in his earliest Star days was exciting and fun, partly because it was all new to him. However, the other side of the coin was obits. Everybody had to do them, but cubs like Sinclair and people who were in the doghouse got the most. Forms were filled out by people wishing to insert notices in the Star’s daily Deaths columns, and each included a spare copy, called a flimsy, for the newsroom. An assistant city editor would distribute these, a handful here and a handful there.
Reporters were expected to fill spare time by telephoning relatives or friends of the deceased and finding out more about them: any medals, awards, interesting achievements, or crimes; why the dear departed lived such a long time or such or short time; whether he or she had any famous relatives or was a member of any clubs or lodges. Two or three paragraphs might be printed under headings such as “Fought at Vimy” or “Father of 17″. Sinclair did his share.

It was boring work, but to ditch a handfulof obit flimsies meant taking a chance that the Telegram would turn up a good story that the Star had missed.

 

 

Categories: Biography · Obituary
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Truth and Fiction of a Roving Reporter

August 3, 2008 · Leave a Comment

This week’s Historicist column was about Toronto-born journalist and world traveller, Gordon Sinclair. As a travel-writer, his tales of adventure and intrigue in Asia and the South Pacific captured the imagination of his readers, and provided an escape from the mundane realities of the Great Depression. Andrew Cohen, writing a review of Scott Young’s brisk and workmanlike biography of Sinclair for a March 1989 issue of the Canadian Historical Review, touches on exactly what interests me most about Gordon Sinclair: his storyteller’s propensity for embellishment and self-creation. “The trouble with Sinclair’s stories is they were not always true,” Cohen writes. “His was more the journalism of the narcissist than the iconoclast. He was the product of the Age of Hyperbole, when entertainment mattered more than reportage.” I mention it in the column, but expand here on the level of truth and fiction in his stories.

Yet, perhaps Cohen and I overstated the amount of embellishment a bit. In Gordon Sinclair: A Life…And Then Some (1987), Young explains how it was Sinclair’s talent itself that made him a target:

With his career then approaching high gear, a whispering campaign began that followed him almost for life: that none of these things really happened, that he made them up as he went along. The truth is that some journalists could have travelled—some have travelled—the same route as Sinclair without possessing the instinct, the sheer curiosity about the human condition, to find what he found. He wasn’t exactly the good Samaritan type, but when something interesting presented itself, he never crossed to the other side of the road and hurried on. Some of it was fun and he wrote that as fun; when it was tragedy or something close to it, he had a very clearly sensed, open-eyed, often dispassionate way of relating precisely what happened, and what happened next, until his readers had the picture as he saw it and felt it. He often lucked in to his kind of story, large or small, wherever he went. (Young, 62)

In his 1975 autobiography, Will Gordon Sinclair Please Sit Down , Sinclair described the difficulty of defending himself against charges he’d invented his adventures:

I’d often been accused of faking stories of far-away places, and there was a simple explanation. There was no international air mail in those days, and since my stories were human interest yarns rather than hard news, I sent them home by mail, often getting back before they did! Yarns with exotic datelines (but no actual dates on them) appeared in the paper while I’d be visible on the street.

Fake! Fraud! Fiction!

I made the mistake of trying to explain it in print, by word of mouth and even by radio. Cries of fake grew louder. I showed hotel bills, letters of credit showing withdrawals as to time, place, and amount, passport entry and departure markings.

Many critics were not convinced. Even now, more than forty years after some of these events, I’m periodically accused by people who were no even born when I spied out the world’s far places, that I wrote it all in the pub or wine cellar. (Sinclair, 106)

Categories: Autobiography · Biography
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